Collaborators

Alex has been working as a photographer for over 15 years, primarily in advertising. Alex’s work is reknown for its bold style and appropriation of popular and street culture. Alex has a creative and humorous approach and brings his enthusiasm and creative passion to each production.

Sam Collins

Artist, designer and collaborator. He has exhibited in numerous group and solo exhibitions, and has in recent years concentrated on the design and production of large-scale art projects, and theatre.

He has worked with Artangel since 2002, working with artists such as Steve McQueen, Matthew Barney, Gregor Schneider, Kutlug Ataman, Paul Pfeiffer and Heiner Goebbels. As a Designer he has worked on a diverse range of projects with numerous artists and organisations including, LIFT, Homeworks (Beirut) and Cape Farewell.

In 2004 Sam began collaborating with Siobhan Davies Dance as Designer on Bird Song (2004/05), In Plain Clothes (2006) and Two Quartets (2007).

Recent design projects include Il Tempo Del Postino – Group Show, an Opera/Art Exhibition with curators Hans Ulrich Obrist and Philippe Parreno, as part of Manchester International Festival in July 2007, and Richard III – An Arab Tragedy, a contemporary Arabic production of Shakespeare, with Sulayman Al Bassam Theatre Company. Sam also designed Drifting + Tilting – the Songs of Scott Walker, a staged concert performed at the Barbican.

Suzie Holmes www.laban.org
Suzie Holmes is Costume Supervisor and Lecturer in Scenography at Laban. She has designed costumes for numerous dance companies.

Guy Hilton www.robocoppelia.com

Sarah Moody

Sarah Moody is a multi instrumentalist who has worked for over ten years as a musician, music director and composer with theatre companies such as Kneehigh, Wildworks, London Bubble, Theatre Royal Bath and Travelling Light.

Glyn Perrin

Glyn Perrin studied composition with Rands, Orton and Lutyens at the Universities of York and California.

Since 1979 he has been a freelance composer and performer, He composes extensively for the concert hall, as well as theatre and contemporary dance. Many of his works mix conventional and electroacoustic resources. He has also been a keyboard player and programmer on numerous non-classical projects worldwide.

Following a year living among the lucid cultures of South Mexico, his current focus is on the compositional challenges of installation, sound art and the erasure of performance.

Sean Gilde

Anne Brassier www.itakenicephotos.com